Sinéad won the prestigious Irish Times Theatre Award for Best Lighting Design For Semper Fi’s Ladies and Gents, which has toured cities throughout the world.
She is also currently designing The Importance of Being Earnest for Rough Magic. Recent opera designs include Midsummer Night’s Dream for Opera Ireland and La Traviata for Malmo Opera House.
Her Theatre designs include New Electric Ballroom (Druid), Improbable Frequency (Drama Desk nomination 2009), The Parker Project, Life is a Dream, Attempts on her Life, Dream of Autumn (Rough Magic,) and October, Last Days of The Celtic Tiger and Blackbird (Landmark Theatre).
Other work includes God’s Grace, Adrenalin (Semper Fi), The New Electric Ballroom (Druid), The Burial at Thebes, Howie The Rookie and Finders Keepers (Peacock Theatre), Last Days of The Celtic Tiger and Blackbird (Landmark), Circus (Barabbus), Private Lives (The Gate Theatre), and Honor (B*Spoke). Other designs include, Macbeth, Philadelphia Here I Come, Othello and How Many Miles to Babylon, (Second Age), All Over Town and Wunderkind (Calipo) and Henceforward (Derby Playhouse). For Guna Nua she designed Skindeep, Scenes from a Watercooler, The Real Thing and Dinner with Friends. For The Performance Corporation she designed Candide and The Butterfly Ranch. Other theatre designs include Shooting Gallery (Bedrock), The Snow Queen and Merry Christmas Betty Ford (Lyric Theatre), The Gist of It (Fishamble), Hard to Believe (Storytellers), The Woman who Walked into Doors (Upbeat Productions) and Diarmaid and Grainne for Passion Machine.
Dance and Opera designs include Does she take Sugar for Jean Butler, Swept (CoisCeim), As a Matter of Fact (Dance Theatre of Ireland) and La Boheme for Co-Opera.
Comedy designs include Bovinity for Tommy Tiernan, Tongues and Fitting In tours for Des Bishop, Neil Delamere at Vicar Street and Maeve Higgins’ Ha Ha Yum.